We ask editor Oliver Gehrs if Dummy Magazin is a magazine. Does it have a lot of competition? Dummy’s policy is to not mix content and ads. Will the magazine live longer with its always changing design and theme? Oliver explains that Dummy is happy to be a specialised magazine for a smaller audience rather than educate the masses. (Recorded at Typeradio’s Sweet16)
Dummy magazine editor Oliver Gehrs tells us how and why Dummy was initiated and how it was financed. Every issue is completely different, in logo design, layout and the articles. Why? And how does that work? It’s a journalistic decision to have different designers and writers for every issue. It’s also much more fun, according to Oliver. How are the designers picked? Dummy never puts design over content. Oliver talks about the relationship with their sellers and explains how the subjects and themes get picked. (Recorded at Typeradio’s Sweet16)
Do books like Los Logos kill creativity? Nicolas explains the best way to use Los Logos. Will there be a Quatros Logos? Logos rejected by clients are often the best. Being swiss pursuits him, also in Berlin, but it’s also an advantage. What are the differences between the Swiss and the Germans? Nicolas tells us why he moved to Berlin, his future plans, like Etcetera publications. Does he have a favourite Swiss designer? (Recorded at Typeradio’s Sweet16)
Nicolas Bourquin explains what he does, he sets things in context, be it a book, video or an exhibition. As an art director / editor for Die Gestalten he finds this multi-disciplinary work inspiring. He motivates why books are not at all an obsolete medium and talks about the Los Logos book project and the selection process for it. (Recorded at Typeradio’s Sweet16)
Why did Klaus Voormann retire from the music business? What filled the gap that music left in his life? What current bands does he like? He talks about his cooperation with Stefan Gandl, the Hamburg Days book, the Turbonegro record sleeve and finally his music production work for the German band Trio (Da Da Da). (Recorded at Typeradio’s Sweet16)